Associate Professor, Visual Culture Program Director
School of Communication
Rochester Institute of Technology
Curriculum Vitae
BA, Bryn Mawr College; MA, Ph.D., University of Chicago
College of Liberal Arts
One Lomb Memorial Drive Rochester, NY 14623
[email protected]
School of Communication
Rochester Institute of Technology
Curriculum Vitae
BA, Bryn Mawr College; MA, Ph.D., University of Chicago
College of Liberal Arts
One Lomb Memorial Drive Rochester, NY 14623
[email protected]
Rebecca J. DeRoo is Associate Professor and Visual Culture Program Director in the School of Communication at the Rochester Institute of Technology. Her research and teaching focus on contemporary art and visual culture, cinema, photography, exhibition studies, and gender studies. She is currently researching the art and activism of Mary Kelly in her third monograph (in progress) with the support of an Advance RIT Grant, RIT Seed Funding, and an American Philosophical Society Franklin Research Grant.
Dr. DeRoo’s second book examines the work of multimedia artist Agnès Varda: Agnès Varda between Film, Photography, and Art (University of California Press, 2018; finalist for the Kraszna-Krausz Foundation Best Book Award in the field of Moving Image). Book research was supported by fellowships from the American Association of University Women, the National Endowment for the Humanities, the American Philosophical Society, and the Paul A. and Francena L. Miller Fellowship.
Her recent essays appear in the anthologies: Plaisirs de Femmes and On Women’s Films. In 2021, Professor DeRoo coedited with Professor Homay King a thematic issue of Camera Obscura, Future Varda. In the wake of director Agnès Varda’s death in 2019, this issue brings together scholars across fields and generations to examine Varda’s legacy for the future.
Professor DeRoo’s first book, The Museum Establishment and Contemporary Art (Cambridge: 2006, translated, reprinted 2014), explains how the protests and social movements of 1968 France triggered a radical reconsideration of artistic practice that has shaped both art and museums up to the present. Her book was awarded the 2007 Laurence Wylie Prize for best book in the field of French Cultural Studies. She has contributed to publications including The Oxford Art Journal, Parallax, Studies in French Cinema, Afterimage, and Modern and Contemporary France.
Dr. DeRoo was Community Curator for the major exhibition: Changemakers: Rochester Women Who Changed the World, held at the Rochester Museum & Science Center (RMSC) from November 2020 to May 2021. The exhibition celebrated the suffrage centennial and highlighted regional women’s contributions to social change. Her students’ work was presented in the exhibition, including the digital Map of Change.
She curated the exhibition Beyond The Photographic Frame at the Art Institute of Chicago, for which she received a Rhoades Foundation Fellowship; curated Made in France: Art from 1945 to the Present at the Washington University Art Museum; and co-curated with Jurij Meden a retrospective, Agnès Varda: (Self-)Portraits, Facts and Fiction, at the Dryden Theatre, George Eastman Museum (2016). She was an affiliated member of the UK AHRC grant-supported international research network “Film and the Other Arts.” Her grants include Fulbright and Killam Fellowships and a research residency at the French National Institute for Art History (INHA).
At Rochester Institute of Technology, Dr. DeRoo teaches courses on Contemporary Art and Visual Culture, History and Theory of Exhibitions, Exhibition Design, Research Methods, and Gender Studies. She is Visual Culture Program Director, Core Faculty in the Museum Studies Program, and affiliated faculty in the Digital Humanities and Social Sciences Program, and the Women’s, Gender, and Sexuality Studies Program.
Dr. DeRoo’s second book examines the work of multimedia artist Agnès Varda: Agnès Varda between Film, Photography, and Art (University of California Press, 2018; finalist for the Kraszna-Krausz Foundation Best Book Award in the field of Moving Image). Book research was supported by fellowships from the American Association of University Women, the National Endowment for the Humanities, the American Philosophical Society, and the Paul A. and Francena L. Miller Fellowship.
Her recent essays appear in the anthologies: Plaisirs de Femmes and On Women’s Films. In 2021, Professor DeRoo coedited with Professor Homay King a thematic issue of Camera Obscura, Future Varda. In the wake of director Agnès Varda’s death in 2019, this issue brings together scholars across fields and generations to examine Varda’s legacy for the future.
Professor DeRoo’s first book, The Museum Establishment and Contemporary Art (Cambridge: 2006, translated, reprinted 2014), explains how the protests and social movements of 1968 France triggered a radical reconsideration of artistic practice that has shaped both art and museums up to the present. Her book was awarded the 2007 Laurence Wylie Prize for best book in the field of French Cultural Studies. She has contributed to publications including The Oxford Art Journal, Parallax, Studies in French Cinema, Afterimage, and Modern and Contemporary France.
Dr. DeRoo was Community Curator for the major exhibition: Changemakers: Rochester Women Who Changed the World, held at the Rochester Museum & Science Center (RMSC) from November 2020 to May 2021. The exhibition celebrated the suffrage centennial and highlighted regional women’s contributions to social change. Her students’ work was presented in the exhibition, including the digital Map of Change.
She curated the exhibition Beyond The Photographic Frame at the Art Institute of Chicago, for which she received a Rhoades Foundation Fellowship; curated Made in France: Art from 1945 to the Present at the Washington University Art Museum; and co-curated with Jurij Meden a retrospective, Agnès Varda: (Self-)Portraits, Facts and Fiction, at the Dryden Theatre, George Eastman Museum (2016). She was an affiliated member of the UK AHRC grant-supported international research network “Film and the Other Arts.” Her grants include Fulbright and Killam Fellowships and a research residency at the French National Institute for Art History (INHA).
At Rochester Institute of Technology, Dr. DeRoo teaches courses on Contemporary Art and Visual Culture, History and Theory of Exhibitions, Exhibition Design, Research Methods, and Gender Studies. She is Visual Culture Program Director, Core Faculty in the Museum Studies Program, and affiliated faculty in the Digital Humanities and Social Sciences Program, and the Women’s, Gender, and Sexuality Studies Program.
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